JLPT N3 Grammar Checklist

N3 is the level everyone warns you about — and they are right. The gap from N4 to N3 is the widest on the JLPT ladder, because the grammar stops being about structure and starts being about nuance and evidentiality: not just what happened, but how sure you are, where you heard it, whose fault it was, and how you stand toward the person you're speaking to. This is also the level where you start reading real, unsimplified Japanese. Pace yourself deliberately; the textbook-to-native-media path and the keigo-for-work path run well as parallel tracks alongside this checklist. It assumes the N4 checklist is complete.

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The N3 mindset shift: half of these points aren't new tenses, they're stances. 〜そうだ, 〜ようだ, 〜らしい, and 〜はず all describe the same event — they differ only in how you came to believe it. Study them as a set, by evidence source, not one at a time.

1. Passive, causative, and causative-passive

Three new voices that reshape who does what to whom. The causative-passive (〜させられる) stacks both and is the single most feared conjugation at N3 — but it's just causative plus passive, in that order.

DonePointLearn it on
The passive 受身: formationverbs/passive-overview
The suffering passive (迷惑の受身)verbs/passive-indirect-suffering
One 〜られる, three meaningsverbs/passive-vs-potential-vs-honorific
The causative 使役: させる/せるverbs/causative-overview
Causative: make vs letverbs/causative-make-vs-let
Causative-passive 〜させられる: forced toverbs/causative-passive-overview

満員電車で、隣の人に足を踏まれた。

man'in densha de, tonari no hito ni ashi o fumareta

On the packed train, the person next to me stepped on my foot.

子供のころ、毎日ピアノを練習させられた。

kodomo no koro, mainichi piano o renshū saserareta

As a kid, I was made to practice the piano every day.

2. Keigo entry

N3 is where honorifics stop being optional. You need the two elevating axes — 尊敬語 (raising the other) and 謙譲語 (lowering yourself) — and the regular patterns that generate them. This is a large system; the keigo-for-work path walks the whole thing, so use this as the N3 slice.

DonePointLearn it on
The three-axis keigo systemkeigo/overview
尊敬語 overview (elevating the subject)keigo/sonkeigo-overview
お〜になる: the regular honorifickeigo/o-ni-naru
謙譲語 overview (lowering yourself)keigo/kenjougo-overview
お〜する: the regular humble patternkeigo/o-suru
〜ていただく: humbly having someone act for youverbs/giving-te-morau

先生に推薦状を書いていただきました。

sensei ni suisenjō o kaite itadakimashita

I had my teacher write me a letter of recommendation.

3. Explanatory and evidential endings

The heart of N3. Every one of these attaches to a full clause and colors how you know the content. Learn them as a family — the comparison page below is the key one.

DonePointLearn it on
のだ/んです: the explanatory moodcopula/no-da-explanatory
〜そうだ: hearsay ("I hear that")nuance/sou-da-hearsay
〜そう: appearance ("looks like")nuance/sou-appearance
〜ようだ: seeming and likenessnuance/you-da-seeming
〜らしい: inference and typicalitynuance/rashii-inference
〜はず: expectation ("supposed to")nuance/hazu-expectation
そう/よう/みたい/らしい comparednuance/sou-you-mitai-rashii-comparison

天気予報によると、明日は雪が降るそうだ。

tenki yohō ni yoru to, ashita wa yuki ga furu sō da

According to the forecast, it's going to snow tomorrow.

田中さん、来月結婚するらしいよ。

tanaka-san, raigetsu kekkon suru rashii yo

Apparently Tanaka's getting married next month.

One point of honesty about level: 〜べき ("what one should do") is placed at N2 in this guide, but the JLPT sometimes samples it in N3 reading, so it's worth a look now.

4. こと・もの・わけ idioms

Three formal nouns that, glued to a clause, become fixed idioms of decision, generality, and logic. English has nothing like them, so they must be learned as whole patterns.

DonePointLearn it on
Formal nouns こと・もの・の overviewnouns/formal-nouns-koto-mono-no
〜ことにする: deciding tonuance/koto-ni-suru-decision
〜ことになる: it comes about thatnuance/koto-ni-naru-outcome
〜ものだ: general truths, nostalgia, "should"expressions/mono-da
〜ことになっている: standing arrangementsexpressions/koto-ni-natteiru
〜わけだ/〜わけではない: logical consequenceexpressions/wake-da-wake-dewa-nai

来月、大阪に転勤することになりました。

raigetsu, ōsaka ni tenkin suru koto ni narimashita

It's been decided that I'll transfer to Osaka next month.

5. Expanded conditionals and compound connectives

N3 revisits the conditionals for finer control and adds a set of two-word connectives for cause, standpoint, and agency. Note the coverage honestly: this guide has dedicated pages for によって, として, and ため(に); it does not yet have standalone pages for 〜おかげで ("thanks to") or 〜せいで ("because of, blaming") — treat those as fixed vocabulary for now, built on the same cause logic as ため(に).

DonePointLearn it on
と/ば/たら/なら comparedverbs/conditionals-to-ba-tara-nara-compare
たら for discovery & surpriseverbs/conditional-tara-discovery
ほど / くらい (and the 〜ば〜ほど pattern)particles/hodo-kurai
によって・による: by, due to, depending onparticles/niyotte-agent
として・にとって: as / from the standpoint ofparticles/toshite-nitotte
〜ため(に): purpose and causeconjunctions/tame-ni-purpose-cause

責任者として、きちんと説明させていただきます。

sekininsha to shite, kichinto setsumei sasete itadakimasu

As the person in charge, I'll explain it properly.

顔色が悪いね。何かあったんですか。

kaoiro ga warui ne. nanika atta n desu ka

You look pale. Did something happen?

Self-testing with real text

N3 reading is unsimplified, so the annotated N3 texts are the truest gauge. Read these and check that you can hear the evidentiality in each line:

When the forecast's 〜そうだ and the announcement's keigo feel obvious rather than decoded, you're carrying N3.

Common mistakes

❌ 電車で財布を盗んだ。

Incorrect if you mean it happened to you — 盗んだ means 'I stole'. Getting robbed needs the passive: 盗まれた.

✅ 電車で財布を盗まれた。

densha de saifu o nusumareta

I had my wallet stolen on the train.

❌ この料理はおいしいそうです。

Incorrect for 'looks delicious' — plain form + そうだ is hearsay ('I hear it's delicious'). Appearance drops the final い: おいしそう.

✅ この料理はおいしそうです。

kono ryōri wa oishisō desu

This dish looks delicious.

❌ 明日、私は必ず行くはずです。

Incorrect — はず is your expectation about facts, not your own resolve. Personal intention is つもり.

✅ 明日、私は必ず行くつもりです。

ashita, watashi wa kanarazu iku tsumori desu

I fully intend to go tomorrow.

❌ 私は受付にいらっしゃいます。

Incorrect — you can never elevate yourself; いらっしゃる is for others. For yourself, humble おる.

✅ 私は受付におります。

watashi wa uketsuke ni orimasu

I'll be at the reception desk.

❌ 先生が推薦状を書いていただいた。

Incorrect — with いただく the giver is marked に, not が. (が goes with くださる instead.)

✅ 先生に推薦状を書いていただいた。

sensei ni suisenjō o kaite itadaita

I had my teacher write me a recommendation.

Key takeaways

  • N3 is the difficulty spike — grammar becomes nuance, stance, and evidentiality, not just structure. Pace deliberately.
  • Learn the evidential endings (そうだ/ようだ/らしい/はず) as one set, sorted by how you know the information.
  • The passive-causative voices and keigo entry both hinge on tracking who acts on whom — the recurring N3 theme.
  • Run keigo-for-work and textbook-to-native-media as parallel tracks, and verify on the annotated N3 texts.

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Related Topics

  • JLPT N4 Grammar ChecklistN4The grammar N4 adds on top of N5 — the te-form toolkit, plain-form patterns, the four conditionals, giving-and-receiving, and more — as an ordered checklist linked to every teaching page.
  • Understand Keigo for WorkN3A practical route through Japanese honorifics for the workplace — from baseline politeness through respectful and humble language to the business set phrases you'll use every day.
  • From Textbook to Native MediaN2A bridge path for the intermediate learner leaving graded textbooks behind — sequenced by medium (casual speech, print journalism, broadcast, literary/classical) with the register shift each demands and the annotated real texts that model it.
  • The Passive 受身: FormationN4How to build the Japanese passive れる/られる across all verb classes, why the doer is marked に (not 'by'), and why れる/られる looks identical to the potential and the honorific.
  • そう / よう / みたい / らしい ComparedN3The decision page for the four Japanese ways to say 'seems / looks / apparently' — 〜そう (direct perception), 〜ようだ and 〜みたいだ (your own reasoning, formal vs casual), and 〜らしい (secondhand report) — chosen by evidence source and register, not by English wording.