Breakdown of هنرنمایی او بینقص بود؛ انگار هیچ ترسی نداشت.
او
he/she
بودنbudan
to be
داشتنdâshtan
to have
هیچhich
none, (not) any
Questions & Answers about هنرنمایی او بینقص بود؛ انگار هیچ ترسی نداشت.
The current lesson focuses on abstract nouns ending in -i. How is honarnamayi (هنرنمایی) formed, and is it an adverb here?
While our current lesson looks at using the -i suffix to make adverbial phrases, here honarnamayi acts as a regular noun meaning artistic performance. It is formed from honar (art) plus nama (present root of to show) plus the abstract noun suffix -i. Together, it means the act of showing skill.
How does the prefix bi- work in bi-naqs (بینقص), and can I use it to make my own adjectives?
Yes, bi- means without and is highly productive in Farsi. You can attach it to almost any noun to create an adjective. Here, it attaches to the noun naqs (defect) to mean flawless. Other common examples are bi-masraf (useless) or bi-dalil (without reason).
I thought engar (انگار), meaning as if, triggers the subjunctive mood. Why is nadasht (نداشت) in the simple past indicative here?
You will often see engar with the subjunctive for present hypotheticals or guesses. However, when describing a past situation that genuinely appeared a certain way to the speaker, Farsi speakers frequently use the past indicative. Here, the simple past nadasht emphasizes that his lack of fear was a firmly observed reality during the performance.
Why is there an -i suffix on tars in the phrase hich tarsi nadasht (هیچ ترسی نداشت)?