Public-Domain Saadi: بنی‌آدم

Saadi of Shiraz wrote the Golestan in 1258 CE. In Book I, story 10, he closes advice to an unjust ruler with the famous بنی‌آدم passage: human beings share one origin, and indifference to another person’s suffering disqualifies a person from the ethical name “human.” The language is compact (literary, classical) but much of its vocabulary remains immediately recognizable.

The text below was verified against Saadi, Golestan, Book I, story 10 on Ganjoor, whose displayed edition reads اعضای یکدیگرند, not the widespread modern-memory variant اعضای یک پیکرند. We preserve Saadi’s words and normalize only contemporary Unicode, ZWNJ in بنی‌آدم, and unpointed display orthography. Classical Allusions in Modern Usage treats responsible reuse beyond this close reading.

The Verified Public-Domain Passage

بنی‌آدم اعضای یکدیگرند

که در آفرینش ز یک گوهرند

چو عضوی به درد آورد روزگار

دگر عضوها را نماند قرار

تو کز محنت دیگران بی‌غمی

نشاید که نامت نهند آدمی

An idiomatic translation is: “Human beings are members of one another, created from one essence. If fate brings pain to one member, the others cannot remain at rest. If you are untouched by the suffering of others, you do not deserve to be called human.” The translation smooths Saadi’s syntax; the annotations below keep the original structure visible.

💡
اعضای یکدیگرند is the checked Golestan reading. اعضای یک پیکرند is culturally familiar and conveys the metaphor clearly, but it should be labeled as a later popular variant rather than silently substituted into a quotation.

Line 1: Collective بنی‌آدم

بنی‌آدم اعضای یکدیگرند.

bani-Âdam a'zâ-ye yekdigar-and.

Human beings are members of one another. (Saadi, Golestan I.10; literary, public domain)

بنی‌آدم is a lexicalized classical expression meaning “the children of Adam,” hence humankind. It has collective reference: despite lacking the modern plural suffix ـها, it refers to people as a class. The predicate اعضای یکدیگرند is plural because the collective is construed as many human beings.

The ezafe in اعضایِ یکدیگر links “members” to “one another.” Because اعضا ends in a vowel, the written linker appears as ی in اعضای. This is not the normal possessive claim that one person owns another; it creates Saadi’s ethical image of mutual membership.

همه‌ی انسان‌ها در برابر رنج یکدیگر مسئول‌اند.

hame-ye ensân-hâ dar barâbar-e ranj-e yekdigar mas'ul-and.

All human beings are responsible in the face of one another’s suffering. (original modern paraphrase)

The modern paraphrase makes plurality overt with انسان‌ها and uses مسئول‌اند. It explains the ethical inference without pretending to be another Saadi line.

Line 2: Origin with ز and گوهر

که در آفرینش ز یک گوهرند.

ke dar âfarinesh ze yek gowhar-and.

For in creation they are of one essence. (Saadi; literary)

Initial که gives the reason for the first assertion. Literary ز is the reduced form of از. گوهر literally means a jewel or substance, but here it means shared essence or origin. Translating it as “gem” would preserve the dictionary meaning and miss the ethical argument.

همه از یک سرچشمه آمده‌اند.

hame az yek sar-cheshme âmade-and.

All have come from one source. (original modern metaphorical paraphrase)

Modern prose normally uses full از. The perfect آمده‌اند makes the origin relation explicit; Saadi’s nominal ز یک گوهرند is terser and more resonant.

The Copula Is Joined, Not Absent

English readers may initially think that both opening lines omit “are,” because Persian has no separate word corresponding to it. In fact, plural copula ـند is attached to یکدیگر and گوهر: یکدیگر + اند, گوهر + اند. This joined copula is normal Persian morphology, not a special poetic deletion; the line’s compactness merely makes it easy to overlook.

این دو گروه مکمل یکدیگرند.

in do goruh mokammel-e yekdigar-and.

These two groups complement one another. (original formal-neutral parallel)

این تجربه‌ها بخشی از تاریخ مشترک ما هستند.

in tajrobe-hâ bakhshi az târikh-e moshtarak-e mâ hastand.

These experiences are part of our shared history. (original modern prose with full copula)

The second sentence uses independent هستند, a normal modern choice. Saadi’s joined ـند is not “missing grammar”; it is a different copular host.

Lines 3–4: Fate Brings Pain

چو عضوی به درد آورد روزگار.

cho ozvi be dard âvarad ruzegâr.

When fate brings one member to pain. (Saadi; literary word order)

چو means “when / if” (literary). روزگار is the grammatical subject of به درد آورد, but it appears after the verb for meter and emphasis. This is genuine poetic verb–subject inversion. Modern neutral prose would place it earlier: وقتی روزگار عضوی را به درد می‌آورد....

وقتی روزگار عضوی را به درد می‌آورد، دیگران آرام نمی‌مانند.

vaqti ruzegâr ozvi râ be dard mi-âvarad, digarân ârâm nemi-mânand.

When fate brings pain to one member, the others do not remain at ease. (original modernized syntax)

This is an explanatory modernization, not a replacement quotation. It restores modern وقتی, adds object marker را, and places subject روزگار before the verb.

دگر عضوها را نماند قرار.

degar ozv-hâ râ na-mânad qarâr.

The other members have no rest left. (Saadi; literary)

دگر is literary for modern دیگر. The construction کسی را قرار نماند is a classical noncanonical possession/state pattern: literally, “for someone, rest does not remain.” The را phrase identifies the affected group; it is not the direct object of ordinary transitive ماندن.

دیگر اعضای جامعه هم آرام نمی‌مانند.

digar a'zâ-ye jâme'e ham ârâm nemi-mânand.

The other members of society cannot remain at ease either. (original modern paraphrase)

Lines 5–6: Direct Ethical Address

تو کز محنت دیگران بی‌غمی.

to kaz mehnat-e digarân bi-ghami.

You who are without grief at the suffering of others. (Saadi; literary direct address)

کز contracts که از. محنتِ دیگران has an unwritten consonant-final ezafe after محنت. In بی‌غمی, بی‌غم is the predicate and final ـی is the second-person singular copula: “you are unconcerned.” It is not the abstract noun بی‌غمی “lack of grief” in this line. The dependent address waits for the judgment in the final line.

نشاید که نامت نهند آدمی.

na-shâyad ke nâm-at nahand âdami.

It is not fitting that they call you human. (Saadi; literary ethical verdict)

نشاید means “it is not fitting / one should not” (literary). In نامت نهند, ـت is the person being named, while unnamed generic people supply the third-person plural verb نهند. Modern prose would use تو را انسان بنامند or نام انسان بر تو بگذارند.

اگر به رنج دیگران بی‌اعتنا باشی، سزاوار نام انسان نیستی.

agar be ranj-e digarân bi-e'tenâ bâshi, sazâvâr-e nâm-e ensân nisti.

If you are indifferent to others’ suffering, you are not worthy of the name human. (original modern paraphrase)

The translation makes the condition explicit. Saadi instead addresses تو directly, turning a general ethical proposition into a personal challenge.

💡
The passage moves from collective fact to shared origin, then to a body metaphor, and finally to direct judgment. Grammar carries the rhetoric: third-person بنی‌آدم becomes second-person تو at the moment responsibility can no longer remain abstract.

Ethical Rhetoric in Modern Contexts

Quoting only the first line can express solidarity, but the full passage is sharper: it condemns indifference. A careful modern citation should preserve یکدیگرند and name Saadi and the Golestan.

سخنران برای تأکید بر همدلی، بیت سعدی را با ذکر منبع خواند.

sokhanrân barâ-ye ta'kid bar hamdeli, beyt-e Sa'di râ bâ zekr-e manba' khând.

To emphasize empathy, the speaker recited Saadi’s verse and named the source. (original formal context)

پیام این قطعه فقط شباهت انسان‌ها نیست؛ مسئولیت در برابر درد دیگری است.

payâm-e in qet'e faqat shabâhat-e ensân-hâ nist; mas'uliyat dar barâbar-e dard-e digari ast.

The message of this passage is not merely human similarity; it is responsibility toward another person’s pain. (original academic-neutral interpretation)

Common Mistakes

1. Silently replacing the checked wording

⚠️ سعدی نوشته است: بنی‌آدم اعضای یک پیکرند.

Sa'di neveshte ast: bani-Âdam a'zâ-ye yek peykar-and.

Saadi wrote: ‘Human beings are members of one body.’ The variant is familiar and meaningful, but it is not the wording of the checked Golestan I.10 text.

✅ در متن گلستان، سعدی از «اعضای یکدیگرند» استفاده می‌کند.

dar matn-e Golestân, Sa'di az «a'zâ-ye yekdigar-and» estefâde mi-konad.

In the Golestan text, Saadi uses ‘members of one another.’

2. Reading ز as an unknown noun

⚠️ «ز» در این بیت نام یک چیز است.

«ze» dar in beyt nâm-e yek chiz ast.

‘ز in this line is the name of a thing.’ The sentence is grammatical, but the interpretation is wrong: literary ز is the reduced preposition از.

✅ ز یک گوهر یعنی از یک گوهر.

ze yek gowhar ya'ni az yek gowhar.

ز یک گوهر means از یک گوهر, ‘of/from one essence.’

3. Missing the joined plural copula

⚠️ «یکدیگرند» در این بیت بدون فعل است.

«yekdigar-and» dar in beyt bedun-e fe'l ast.

یکدیگرند in this line has no verb. The sentence is grammatical, but the analysis is wrong: final ـند is the plural copula ‘are.’

✅ یکدیگرند یعنی یکدیگر هستند.

yekdigar-and ya'ni yekdigar hastand.

یکدیگرند means یکدیگر هستند, ‘they are of/for one another.’

4. Copying poetic inversion into neutral prose

⚠️ به درد آورد او را روزگار.

be dard âvarad u râ ruzegâr.

Fate brings him/her pain. Interpretable as literary verse, but highly marked in neutral prose.

✅ روزگار او را با رنج‌های زیادی روبه‌رو کرد.

ruzegâr u râ bâ ranj-hâ-ye ziyâdi rube-ru kard.

Fate confronted him/her with many hardships. (modern neutral prose)

Key Takeaways

  • The verified Golestan text has اعضای یکدیگرند; label یک پیکرند as a popular variant.
  • بنی‌آدم is collective, while plural copula ـند is joined to the predicates.
  • Ezafe links اعضایِ یکدیگر and محنتِ دیگران; the first is partly visible in writing, the second is heard only.
  • Literary ز، چو، دگر، کز، نشاید، نهند need modern glosses, not mechanical word substitution.
  • Saadi’s shift from humankind to direct تو turns shared origin into individual ethical responsibility.

Now practice Farsi

Reading grammar gets you part of the way. The exercises are where it sticks — free, no signup needed.

Start learning Farsi

Related Topics

  • Ezâfe: The Invisible LinkerA1Learn the normally unwritten -e or -ye sound that connects a Persian noun to its adjectives, possessors, names, and other dependents.
  • Collective and Unit NounsB1How Persian presents a crowd, nation, group, or measured set either as one organized whole or as its individual members.
  • Copula Ellipsis in Formal ProseB2Recognize when formal Persian omits a recoverable copula in parallel predicates, headlines, labels, and dense nominal prose—and when omission creates ambiguity.
  • Classical Persian versus Modern StandardC2Read classical Persian across verb morphology, pronouns, vocabulary, order, orthography, and genre without treating it as one frozen code.
  • Classical Allusions in Modern UsageC2Recognize and reuse shortened echoes of Hafez, Saadi, Ferdowsi, and Qurʾanic language with accurate attribution, register, and grammatical integration.