You might be asking yourself, How does art reflect or guide the study of anthropology? The simple answer is that art is created by humans. While definitions of art vary and have historically been narrowly construed to fit within a Western understanding of the term (Morphy and Perkins 2006), a constant element has been the intentional application of imagination, creativity, and skill. Art is created with intent. Art is a representation of the human experience, and anthropologists approach the study of art the same way they do any other aspect of human existence. Anthropologists take a holistic approach to any given topic, situating that topic among the broader context of a culture—its “language, environment, economy, religion, family life, governance and so on” (Plattner 2003, 15). All of these details are implicitly and inextricably embedded in the products of a culture, which cannot be fully understood and appreciated without some awareness of them. This is particularly important in regard to the arts, which rely so heavily on a shared cultural vocabulary. As Stuart Plattner (2003) asserts: Anthropologists think that artistic production . . . should be looked upon, not simply as applied aesthetics, but as an activity embedded in an art world, a complex set of social relationships. . . . It is wrong to focus on the unique art object, and ignore the complex set of human relationships which contributed to its creation. (15) Anthropology lends itself to examining both the how and the why of the arts. Art is studied by anthropologists through methods such as observation, interviews, focus groups, and site assessments. Anthropological study of art includes ethnographic studies as well as inquiries in physical anthropology and archaeology (e.g., Upper Paleolithic cave paintings, Aboriginal rock paintings, etc.). Consider the work that is required to analyze an artistic creation or sporting event through these anthropological techniques. Such work could include unearthing and evaluating artifacts of ancient societies, interviewing theatrical performers, or attending a game or match. The study of art, music, and sports requires the same holistic, wide-ranging approach as do all other anthropological studies. What is art? Who defines it? What is the difference, if any, between a cultural practice and a piece of artwork? These are all valid questions to consider when exploring the arts with the goal of better understanding human cultures. The modern understanding of art began in the 18th century, when the word art shifted from referring to any specialized skill (e.g., art of gardening) to referencing the fine arts (Kristeller 1990). Anthropologists consider that art has historical, economic, and aesthetic dimensions. Consider painters in ancient Roman times, who often had patrons of their work who supported their livelihoods. It could be said that such painters were people of lesser means; however, with a patron’s support, they could earn a wage for expressing their talents. And in aesthetic terms, art provides a representation of what is considered beautiful within a certain cultural context. The subfield of anthropological archaeology has approached the study of arts from its own specific perspectives. Archaeologists cannot observe how an art object was created or used and are unable to ask its creators or consumers the types of ethnographic questions that other cultural anthropologists may rely on. Archaeologists possess specialized knowledge pertaining to the sociohistorical and cultural contexts of early art. Their research on these art pieces provides other anthropologists with a starting point for analyzing older art. It also provides them with a more well-rounded understanding of the functionality and purposes of early art. Material artifacts of art can include many of the things people interact with at home, work, or school. These include artifacts that are the results of various people’s representations of the world, such as the architecture of the building one lives in or a favorite coffee shop. They can also be relics from ancient times, such as weapons, tools, and cave drawings. These relics can be found in the research and reports that art historians, anthropologists and archaeologists use to analyze the symbolic and cultural meaning of art. Iconographic study is the study of the visual images, symbols, or modes of representation collectively associated with a person, cult, or movement. Art is an expressive behavior that encompasses and expresses cultural worldviews, social status and hierarchy, myth, and cosmology. Figure 16.2 These baskets, created by the Yokuts people of Central California and photographed by Edward Curtis, are one of many types of material artifacts of art that anthropologists rely upon when attempting to understand culture. (credit: “Baskets in the Painted Cave—Yokuts” by Edward S. Curtis/Library of Congress, Public Domain)