Figure 12.9 The “natural history” of gender, according to this English nursery rhyme, is based on little boys being composed of “frogs and snails and puppy dog’s tails,” while little girls consist of “sugar and spice and all that’s nice.” (credit: Walter Crane/Wikimedia Commons, Public Domain) Gender not only influences how people think about themselves and others; it also influences how they feel about themselves and others—and how others make them feel. Romantic or sexual passion draws from gendered identities and reinforces them. In the words sung by Aretha Franklin, “You make me feel like a natural woman.” There is something about gendered identity that can feel deep and real. The sense that some trait is so profoundly deep and consequential that it creates a common identity for everyone who has that trait is called essentialism. Gender essentialism is the basis of a lot of circular thinking. When a boy kicks a ball through the neighbor’s window and someone says, “Boys will be boys!”—that’s essentialist. You may be familiar with this little essentialist ditty from Euro-American culture: Sugar and spice and everything nice,that’s what little girls are made of.Snips and snails and puppy dog tails,that’s what little boys are made of. In this view, gender is what you’re “made of”—that is, your biological essence. And yet, biology and archaeology have shown that gender differences are complicated and illusory. What is a natural woman . . . or a natural man? Cultural anthropologists find that some cultures consider men and women to be quite similar, while other cultures emphasize differences between genders. All cultures promote a distinctive set of ideal norms, values, and behaviors, considering those ideals to be natural and good. In cultures that consider men and women to be similar, those ideals apply equally to all people. In cultures that consider men and women to be quite different, one set of ideals applies to men and another set applies to women. In all cases, the content of those ideals varies enormously across cultures. Cultural anthropologist Margaret Mead conducted research on gender in several societies in New Guinea. She confessed that she had initially assumed that gendered behaviors were grounded in biological differences and would vary only slightly across cultures. In her 1935 book, Sex and Temperament, she describes her surprise at discovering three cultural groups with vastly different interpretations of gender. Among the Arapesh and Mundugumor, men and women were considered temperamentally quite similar, with little acknowledgment of emotional or behavioral differences between them. The Arapesh valued cooperation and gentleness, expecting everyone to show tolerance and support for younger and weaker members of the group. In contrast, among the Mundugumor, both men and women were expected to be competitive, aggressive, and violent. Among the Tchambuli (or Chambri), however, men and women were assumed to be temperamentally different: men were seen to be neurotic and superficial, while women were thought of as relaxed, happy, and powerful. While Mead’s dramatic findings have been subject to criticism, subsequent analysis and fieldwork by other anthropologists have largely substantiated her main conclusions (Lipset 2003). Like race, gender involves the cultural interpretation of biological differences. To make things even more complicated, the very process of cultural interpretation alters the way those biological differences are perceived and experienced. In other words, gender is based on a complex dynamic of culture and nature. Gender identities feel more natural than, say, class or religious identities because they involve direct reference to one’s body. Most people’s bodies feel “natural” to them even with the knowledge that culture shapes the way individuals experience their bodies. In this way, gender is not so much natural as it is naturalized, or made to seem natural. In the past three decades, many gender scholars have argued that gender is not so much a set of naturalized categories to which people are assigned as it is a set of cultural identities that people perform in their daily lives. In her influential book Gender Trouble (1990), philosopher Judith Butler describes gender as a kind of relation between categorical norms and individual performances of those norms. In childhood, people are presented with the idealized categories of male and female and taught how to enact the category to which they have been assigned. For Butler, gender is “an impersonation” because “becoming gendered involves impersonating an ideal that nobody actually inhabits” (1992). If gender involves both established categories and everyday performances, then it’s necessary to pay close attention to the idealized norms of gender constructed in a particular cultural context and the various ways in which people enact those norms in practice. In Gender and Sexuality in Muslim Cultures (Ozyegin 2015), researchers studying Muslim communities in Turkey, Egypt, Pakistan, Syria, and Iran examine the ideals of Muslim masculinity and femininity in those contexts, as well as how those ideals are enacted and resisted in everyday life. Salih Can Açıksôz describes how the Turkish government provides disabled veterans with access to assisted reproductive technologies so that they can father children. The aim of this program is to make them feel like “real men” again, renormalizing their masculinity in the context of heterosexual family life. Maria Frederika Malmstroöm shows how Muslim women in Cairo strive to achieve the purity and cleanliness associated with femininity through such practices as cooking, skin care, and becoming circumcised. The idea is that gender is not at all “natural”; you have to work at it every day and make sure you’re doing it right. If you cannot seem to approximate your gender norm for some reason, then your family members, friends, and even the government may step in to help you perform it.

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