Chinese, Mandarin

Spanish

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German

Javanese

Malay

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Vietnamese

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Chinese, Yue / Cantonese

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Chinese, Jin

Chinese, Min Nan

Persian, Dari

Persian, Western

Polish

Pashto

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Chinese, Xiang

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Hausa

Odia

Burmese

Chinese, Hakka

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Xhosa

Belarusian

Balochi

Anthropology

<OpenstaxParagraph>
	By the end of this section, you will be able to:
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<OpenstaxUl>
	<OpenstaxLi>
		Describe how an anthropologist might use participant observation to study media.
	</OpenstaxLi>
	<OpenstaxLi>
		Explain the relationship between modernity and media.
	</OpenstaxLi>
	<OpenstaxLi>
		Give an example illustrating the complex relationship between media and culture.
	</OpenstaxLi>
	<OpenstaxLi>
		Define the concept of cosmopolitanism.
	</OpenstaxLi>
</OpenstaxUl>
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	In this section, the author of this chapter, Jennifer Hasty, describes her own experience using participant observation.
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<OpenstaxBlockquote>
	 
	<OpenstaxParagraph>
		<OpenstaxEm>In the early 1990s, I went to the West African county of Ghana to study media and politics. I was specifically interested in the role of newspapers in the great wave of democratization across many African countries in that decade (Hasty 2005). Because I had some undergraduate training in journalism, I decided to volunteer as an intern at several newspapers and learn how news is produced in Ghana. I wound up working as a journalist for five different news organizations in the Ghanaian capital city of Accra over a period of several years. Through these experiences, I learned a great deal about how culture and history shape local news production, texts, and reception.</OpenstaxEm>
	</OpenstaxParagraph> 
	<OpenstaxParagraph>
		<OpenstaxEm>When people outside of anthropology ask me about my fieldwork, I tell them (maybe too much) about working as a journalist in Ghana. They often respond with a perplexed look, saying, “Wait, I thought you said you were an anthropologist.” When most people think about anthropological fieldwork, they think of quaint villages and rural locations, seemingly disconnected from the rest of the world. When they think of the topics anthropologists typically pursue, they think of religious rituals, political pageantry, complex kinship systems, and folk arts. That is, they think of the realm of “tradition.”</OpenstaxEm>
	</OpenstaxParagraph> 
	<OpenstaxParagraph>
		<OpenstaxEm>In fact, the contexts in which anthropologists work are not cut off from the rest of the world at all—and they never have been. People all over the world, in both rural and urban communities, are hooked up to global flows of information, images, ideas, commodities, and people. Newspapers, photography, radio, television, and the Internet are woven into daily life nearly everywhere one might go in the world.</OpenstaxEm>
	</OpenstaxParagraph> 
	<OpenstaxParagraph>
		<OpenstaxEm>Recall the discussions of modernity in previous chapters. Historically speaking, modernity is the whole way of life associated with industrial and postindustrial societies—that is to say, the institutions and features of modernity emerged alongside industrialization and mass production. However, the features of modernity have spread across the globe to societies that are not primarily industrial or postindustrial. Features of modernity such as mass media, wage labor, and the nation-state shape the everyday lives of people in primarily agrarian, pastoral societies and gatherer-hunter societies. Anthropologists have abandoned the idea that some people live traditional lifestyles while others live modern ones. Rather, all people are modern in distinctive ways, shaped by local historical and cultural forces.</OpenstaxEm>
	</OpenstaxParagraph> 
	<OpenstaxParagraph>
		<OpenstaxEm>Since the early 1990s, anthropologists have been increasingly interested in the various forms of modernity that have emerged in non-European and non-American contexts. As a key tool of modernity, mass media have become the object of growing fascination in anthropology over the last three decades. My own first fieldwork was part of an early wave of media studies in anthropology, culminating in the establishment of an entire subdiscipline, media anthropology (Spitulnik 1993; Askew and Wilk 2002; Ginsburg, Abu-Lughod, and Larkin 2002).</OpenstaxEm>
	</OpenstaxParagraph> 
	<OpenstaxParagraph>
		<OpenstaxEm>By examining the use of media in contemporary sociocultural life, media anthropologists have learned that nearly all forms of culture are shaped by various genres of media. People take photographs and videos to commemorate cultural events and share their memories with others. They report on cultural topics in print media, radio, and television and discuss those issues on talk shows and social media. In fact, it’s fair to say that mass media have become primary tools for defining, reinforcing, and reproducing local cultures. Rather than being opposed to tradition, mass media are key instruments for preserving and transmitting traditional cultures as well as modernity.</OpenstaxEm>
	</OpenstaxParagraph> 
	<OpenstaxParagraph>
		<OpenstaxEm>A few months ago, a Ghanaian journalist friend of mine, George Sydney Abugri, emailed me to ask if I could help him self-publish several books on Kindle Direct Publishing (KDP). Now retired, Abugri wanted to share his essays, poetry, and memoirs with Ghanaians, journalists, and scholars all over the world. In order to publish on KDP, you need a bank account from the United States or another “approved” country, and Ghana was not on that list. After a bit of textual wrangling, I was able to set up an account for him and get his books online so that he could find his global audience.</OpenstaxEm>
	</OpenstaxParagraph> 
	<OpenstaxParagraph>
		<OpenstaxEm>Anthropologists have a term for the kind of worldly orientation evident in Abugri’s desire to speak to a global audience about global issues: <OpenstaxTerm>cosmopolitanism</OpenstaxTerm>. Cosmopolitanism refers to a type of worldly knowledge and sophistication. Contemporary anthropologists, working in rural, village, and urban contexts, find that people in all settings have remarkable awareness of current world issues such as climate change, the Arab Spring, and the Me Too movement. One of Abugri’s poems describes an incident on the German airline Lufthansa in which a White flight attendant claimed she could not understand Abugri’s request for a glass of water. Cosmopolitan writers such as Abugri link their personal experiences to global issues such as race, environmentalism, and gender equality. Global issues and modern media forms are tightly integrated in the lives of both rural and urban peoples in cultures all over the world.</OpenstaxEm>
	</OpenstaxParagraph> 
</OpenstaxBlockquote>

15.2 Putting Culture into Media Studies

1 What Is Anthropology?

1.1 The Study of Humanity, or "Anthropology Is Vast"

1.1.1 The Heart of Anthropology: Central Narrative and Commitments

1.1.2 Central Commitment #1: Exploring Sociocultural Diversity

1.1.3 Central Commitment #2: Understanding How Societies Hold Together

1.1.4 Central Commitment #3: Examining the Interdependence of Humans and Nature

1.2 The Four-Field Approach: Four Approaches within the Guiding Narrative

1.2.1 Biological Anthropology

1.2.2 Archaeology

1.2.3 Cultural Anthropology

1.2.4 Linguistic Anthropology

1.2.5 How the Four Fields Work Together: The Example of Race

1.3 Overcoming Ethnocentrism

1.3.1 Enculturation and Ethnocentrism

1.3.2 Primitivism and Orientalism

1.4 Western Bias in Our Assumptions about Humanity

1.4.1 Primitivism and Orientalism in Popular Culture

1.4.2 The Bias of Backwardness

1.5 Holism, Anthropology’s Distinctive Approach

1.5.1 Society as an Integrated Whole

1.5.2 Sources of Contradiction, Conflict, and Change

1.6 Cross-Cultural Comparison and Cultural Relativism

1.6.1 Relativism Is Not “Anything Goes”

1.6.2 Morality, Activism, and Cultural Relativism

1.7 Reaching for an Insider’s Point of View

1.7.1 The Challenge of Representing Others

1.7.2 Collaborative Methods of Representation

1.7.3 Working across Cultures toward Common Goals

1.7.4 Suggested Readings

2 Methods: Cultural and Archaeological

2.1 Archaeological Research Methods

2.1.1 Archaeological Techniques

2.1.2 Archaeological Dating Methods

2.2 Conservation and Naturalism

2.2.1 Early Efforts

2.2.2 Salvage Anthropology

2.2.3 Museum Collections

2.2.4 Interpretation and Voice

2.3 Ethnography and Ethnology

2.3.1 The Development of Ethnography and Ethnology

2.3.2 Perspective and Interpretation in Ethnography

2.4 Participant Observation and Interviewing

2.4.1 Participant Observation

2.4.2 Interviewing Informants

2.4.3 Ethical Considerations

2.5 Quantitative and Qualitative Analysis

2.5.1 Differences between Quantitative and Qualitative Information

2.5.2 Modeling

2.5.3 The Science of Anthropology

2.6 Collections

2.6.1 Archives

2.6.2 Three-Dimensional Collections

2.6.3 Ownership

2.6.4 Suggested Readings

3 Culture Concept Theory: Theories of Cultural Change

3.1 The Homeyness of Culture

3.2 The Winkiness of Culture

3.3 The Elements of Culture

3.3.1 Culture Is What We Make

3.3.2 Culture Is What We Do

3.3.3 Culture Is What We Think

3.4 The Aggregates of Culture

3.4.1 Symbols

3.4.2 Ritual

3.4.3 Social Structure

3.5 Modes of Cultural Analysis

3.5.1 Evolution, Adaptation, and Historical Particularism

3.5.2 Functionalism

3.5.3 Structuralism

3.5.4 Ontology

3.6 The Paradoxes of Culture

3.6.1 Paradox 1: Culture Is Continuous, but It Changes

3.6.2 Paradox 2: Culture Is Bounded but Mobile

3.6.3 Paradox 3: Culture Is Consensual but Contested

3.6.4 Paradox 4: Culture Is Shared, but It Varies

3.6.5 Suggested Readings

4 Biological Evolution and Early Human Evidence

4.1 What Is Biological Anthropology?

4.1.1 Looking to the Deep Past

4.1.2 Exploring What It Means to Be Human

4.2 What’s in a Name? The Science of Taxonomy

4.2.1 Defining the Science of Taxonomy

4.2.2 Defining a Species

4.3 It’s All in the Genes! The Foundation of Evolution

4.3.1 The Units of Life

4.3.2 Gregor Mendel and the Laws of Heredity

4.3.3 Mendelian Inheritance in Humans

4.4 Evolution in Action: Past and Present

4.4.1 Early Evolutionists and the Fixity of Species

4.4.2 Charles Darwin’s Role in Changing Views of the Natural World

4.4.3 Understanding Darwin’s Theory of Natural Selection

4.5 What Is a Primate?

4.5.1 What Is a Primate?

4.5.2 Primate Behavioral Variation

4.5.3 Explaining Primate Success

4.5.4 Primate Classification and Taxonomy

4.6 Origin of and Classification of Primates

4.6.1 Understanding Concepts of Time

4.6.2 Fossils and Dating Methods