قد ما المغني يغني، الجمهور بيطلب اغنية تانية.

Here قد ما is best learned as one fixed Levantine expression. In this sentence, it means no matter how much or however much.

So:

قد ما المغني يغني = no matter how much the singer sings

This is not the same as the standalone MSA قد that can mean things like may/might or can mark a completed action. In Levantine, قد ما is a very common colloquial chunk with its own meaning.

That is a very common Levantine pattern.

• بيطلب has the بـ prefix, which usually marks the normal present or habitual meaning in Levantine:
  الجمهور بيطلب = the audience asks / keeps asking

• After expressions like قد ما, the verb is often used without بـ:
  قد ما ... يغني = however much he sings / no matter how much he sings

So the first clause is a kind of dependent, general, concessive clause, while the second clause is the main present-tense statement.

In Levantine, subject-first order is very common, especially in everyday speech.

So المغني يغني sounds very natural in colloquial Arabic.

A verb-first order like يغني المغني is not impossible, but it sounds less conversational and more formal or literary. For spoken Levantine, the version in your sentence is the one learners should get used to.

Because الجمهور is a collective noun. Grammatically, Arabic usually treats it as singular, even though it refers to a group.

So:

• الجمهور بيطلب = natural and standard for this kind of noun

It is similar to English the audience is in varieties of English that prefer singular agreement with collective nouns.

In very colloquial speech, some speakers may sometimes use plural agreement with collective nouns, but for learners, singular agreement with الجمهور is the safest choice.

Because in Arabic, adjectives normally come after the noun.

So:

• أغنية تانية = another song

Here تانية behaves like an adjective, so it follows أغنية.

It also agrees with it:

• أغنية is feminine
• so we say تانية, not تاني

Because the meaning is another song, not the other song or the second song.

So the phrase is indefinite:

• أغنية تانية = another song

If you said:

• الأغنية التانية

that would usually mean the second song or the other song, depending on context.

So the lack of الـ matches the indefinite meaning in English.

It can mean both, depending on context.

In Levantine:

• تاني / تانية can mean second
• and it can also mean another

In this sentence, أغنية تانية clearly means another song, because the audience wants one more song after the singer has already been singing.

Yes, you could, but the nuance changes a little.

• الجمهور بيطلب أغنية تانية = the audience is asking/requesting another song
• الجمهور بده أغنية تانية = the audience wants another song

So بيطلب sounds more active, like the audience is actually calling for it or requesting it.
بده is more about desire or wanting.

Both are natural, but بيطلب is a better choice if you want the sense of an active request.

One common pronunciation would be:

'ad ma l-mghanni yghanni, l-jomhūr byiṭlob ughniyye tānye.

A few notes:

• قد ما is often pronounced 'ad ma
• المغني often sounds like il-mghanni or l-mghanni
• بيطلب is often byiṭlob or byeṭlob, depending on the region
• أغنية is often pronounced ughniyye
• تانية is often tānye

Pronunciation varies across Syria, Lebanon, Jordan, and Palestine, but that gives you a good general Levantine feel.

In careful spelling, yes, the standard form is أغنية.

But in informal writing, especially in texting, social media, and casual dialect writing, people often leave out hamzas and write:

• اغنية

instead of

• أغنية

So both are common in real life, but أغنية is the more formal and fully correct spelling.

Literally, قد ما can feel close to as much as / however much. But in this sentence, the most natural English meaning is no matter how much.

That is because the full sentence has a concessive idea:

• he keeps singing
• but the audience still wants more

So idiomatic English would usually be:

No matter how much the singer sings, the audience asks for another song.

That captures the feeling better than a very literal translation.